All marterials including photographs are ©2011 Ronald Gary Dunlap / Doglight Studios.
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I woke to the shrieks of a quartet of crows loitering outside my window. It felt like a lament for my last full day in Tokyo. For some reason, their cries reminded me of the flocks of wild green parrots that now call L.A. home. They occasionally congregate in the liquid amber tree in my front yard and wake me with their early morning cacophony.
My first encounter came in a transfer tunnel, where I came across a couple of homeless gentlemen packing up their belongings after spending the night in a small alcove in the middle of the passageway. Unlike the homeless gentleman I'd met yesterday, they seemed totally cognizant of the world around them, conversing in an informed manner. One wonders what mistake they made or what circumstance brought them to be living this far outside the normal.
Later in the day I did encounter a few more of the less fortunate who seemed a lot worse for the wear.
From there, I walked to Kabukicho, where I photographed a hostess from one of the "water trade" clubs. She looked like she'd just put in a long night's work cajoling intoxicated company men out of her share of their expense account money.
I was walking down Yasukuni-dori (avenue) when I passed a serene and dignified gentleman polishing shoes on the sidewalk. I hadn't seen anyone else plying this trade, and I asked if I hired him to work over my black Timberlands, could I take a couple of pictures, and he agreed. A real professional — there weren't any unnecessary movements in his performance — it was a shine well worth the ¥800 (just under ten bucks U.S.) that I handed over to this entrepreneur near the end of his journey.
Also along Yasukuni-dori were several high-end bakeries and snack-shop combos, the kind of spot the well-heeled ladies stop at for afternoon tea or a late coffee.
My last real impressive encounter was with a young itinerant calligrapher plying his trade on the sidewalk on the west side of Takashimaya Times Square. Looking to be in his middle twenties, he had laid out a nice sampling of his abilities and was open for business. I was surprised by how many people were interested in availing themselves of his services. It was eye-opening to see this young man receiving such patronage from the "man in the street."
During a lull, I approached him and inquired as to the cost. At first he said it was up to me, but after I insisted (I'm sure it was really bad manners to insist on a price), he said that it ran between ¥1,000 and ¥2,000. I thought about it for a while and then got up the 1,000 yen and had him write "Doglight." His style is a little too progressive or punk for my taste, but it was still a good investment in karma and made me feel a little like a patron of the arts.
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